Bookish Thoughts

This was a really sweet coming of age tale about finding your way and finding your family. Aprils' mother walked out when she was little and her father wasn't much more present. By the time she's sixteen, April is basically on her own, stuck in a small town where everyone looks down on her and even her father mostly pretends that she doesn't exist. And then she realizes that she can leave, too. So April heads out for life on the road, working odd jobs, writing and singing songs, making friends and fleeing before anyone can get too close. And through it all her music sustains her. My favorite part of this book, hands-down, was the soundtrack. April's love of music, and the way the author uses it to set the scene and drill right into her emotional state was fantastic. I kept having to put the book down so I could bring up songs on youtube and listen to them while I read certain passages. This was just an overall enjoyable book. I had a lot of sympathy for April being

My love for this book is in direct opposition to how long it took me to read it. I heard about it years ago, and I knew that I had to read it. Fairy tales and nested tales and Catherynne Valente are three of my favorite things. There was no question that I would love it. But other books always seemed to take precedence. And then the pandemic happened and Valente started reading this book a bit at a time in a nightly video. So I bought it, fully intending to read along with her. Except that in March of 2020, my life was even crazier than most peoples and committing to a 45 minute video every day was out of the question.  And so the book sat on my shelf for nearly two years. I knew I would love it. I also knew I'd want to be able to sink into it. And I could never quite find enough time to devote to it. Finally, at the beginning of this year, I decided to start watching Valente's videos. They were great, filled with behind the scenes info about the book itself. Not to mention the

This was one of three free novellas provided by Tor.com this month. It was bundled with A Psalm for the Wild Build and Unlocked which highlighted the similarities between the three stories. All of them concern a future where humanity is grappling with mechanical life. In Chambers' story, the robots achieved sentience and abandoned humans to their own devices, only for a human and robot to reconnect centuries later. In Scalzi's story, robots are provided as disability aids. They're fully controlled by humans who can't otherwise participate in society. This story is a bit more classic, with robots serving as a labor force and humanity beginning to grapple with how to extend rights to them. All three books ask what it means to be a person, but this one asks that question the most directly. A robot has been convicted of murder and a new lawyer decides to file an appeal, believing he didn't get a fair trial the first time around. Questions arise about the equality betw

This is one of my favorite books, so I clearly had to read the graphic novel version. It's a good story to revisit every now and then, and this edition makes that a lot easier. Since so much of the information is conveyed through images, reading it is a lot quicker. Of course, this being an adaptation, a lot of things got left out. I know the story well enough to have recognized all the omissions. The story still works well, but I'll always think the original has more depth.   Overall, it's a good adaptation of a really important novel. And if the new format helps it reach new audiences, that can only be a good thing.

I read Scalzi's Lock In right at the beginning of the pandemic. It posits a future world, about twenty years after a pandemic has come through, killing 1% of the population and leaving another 1% paralyzed. It ended up being a lot lighter than I expected, which was for the best given my whole state of mind at that time. But this companion book takes a closer look at the pandemic itself and the immediate response and aftermath. The crazy part is that it was written in 2014, and still got a bunch of stuff right. It's always so weird when science fiction starts to read more like historical fiction. It becomes a fun exercise in looking at which predictions were correct and which were wrong. Scalzi's pandemic hit the globe much more consistently, having started at an international scientific conference. So the initial impact is a lot bigger. But it still comes in waves, like the real pandemic did. And there's still an incredible rallying of everyone. Another interesting dif

I'm not entirely sure what I expected from this book, but it's not what I got. I'd only read one other story by Sarah Gailey - a dystopian Western - and this was so far removed from that it left my head spinning. Which doesn't make this bad. If anything it speaks to Gailey's versatility. And I'll have a better sense of what to expect (or not expect) from her future books. This is billed as a murder mystery at a magical school. A sort of fantasy noir, with this emphasis on the noir. So where I was expecting a somewhat light romp, I got a much darker and cynical story about lies and secrets and the limits of family. I did end up liking it, once I realized what I was in for. And I'll probably pick up more of Gailey's work in the future. I'll just need to do a bit more research so I know what I'm in for before starting the next one.