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Showing posts from February, 2020

The Starless Sea

There are only three stories: someone goes on a journey a stranger comes to town boy meets girl But, really, those first two are the same, it's just a matter a perspective. And the last one is just an emotional journey rather than a physical one. So there's only one story: someone goes on a journey. All stories come down to this, and they're all the same story. Of course, if that were true, it would be a boring old world. In actuality, all stories are different. The details make each journey unique and even if a story has been told a thousand or a million times before, there is still a new way to tell it that makes it feel fresh and interesting. This is the paradox that The Starless Sea deals with: there is only one story and that story is infinite. Morgenstern takes her time exploring this theme, setting up all her pieces and pulling them together or letting them drift. She makes the dangling threads that prevent a story from feeling complete literal. She makes

Secrets of a Summer Night

I've read a decent number of romance novels at this point by several authors, both historical and contemporary. They've all followed the same format - alternating chapters between the hero and the heroine - and I started to think that was standard across the genre. Then I picked up my first Lisa Kleypas book and discovered a story that was 90% from the heroine's point of view with only the occasional insight into what the hero is thinking or feeling. It threw me for a curve, and I'm still disappointed that I didn't get to spend more time with Simon. I think he had an interesting arc going from bachelor to husband, and I'm sad that it mostly happened off-page. But I shouldn't expect all books in a genre to conform to a certain style - especially since I often seek out books that play with style and format on purpose. The lack of Simon also gave us a lot more time with the Wallflowers - Annabelle and her friends and their hunt for husbands. This ended up b

Deathless

It's probably because I've watched Labyrinth more times than I can count, but that's the touchstone my brain kept returning to as I worked my way through this book. What if Sarah had been a little more clever and a little less kind? What if Jareth had been more insistent, more seductive? What if the magic had been irresistible as well as frightening and Sarah had left her life behind to become the Goblin Queen? It might have turned out something like this book. Deathless is a dark fairy tale. A retelling of a classic Russian tale about Koschei Deathless and his death at the hands of Ivan. Except this one twists it around, makes Ivan's wife Marya Morevna the protagonist and gives her the magical journey. It examines why she makes her choices, what she gains and what she gives up. And it interweaves this tale with modern Russian history, taking the reader from the Russian revolution through the siege of Leningrad. Valente's command of language is what makes this

Beartown

I liked A Man Called Ove , but after finishing Beartown , I am thoroughly impressed with Backman, as both an author and a human. He has an incredible insight into human nature, and he takes the time to examine the tragedy at the heart of this novel from every conceivable angle to paint a picture of how it happened, which attitudes and decisions faded and which ones resonated and why. Although the narrative is clear about who is and isn't a victim, the story as a whole reminded me of one of my favorite Good Omens quotes: It may help to understand human affairs to be clear that most of the great triumphs and tragedies of history are caused, not by people being fundamentally good or fundamentally bad, but by people being fundamentally people.  We tend towards tribalism and confirmation bias.We struggle with change and anything that upsets our world view. And so it takes a Herculean effort to go against the grain and make a difference. Easier to just stay in your lane and tell your

Beneath the Sugar Sky

While I enjoyed this book, it didn't quite grab me the way the first two books in the series did. This one is a fun adventure in which a group of students at Eleanor West's school travel through several worlds in an attempt to resurrect a student who died before her time. It's got a couple of new faces and a couple of old favorites and it delves deeper into the underlying logic (or lack thereof) of these worlds. I think that's the crux really. This story felt more like table-setting. McGuire is currently contract to write eight books in this series (of which five have been released), and there's every possibility that the series will extend beyond that. So she needed to spend some time establishing the rules and the map. It was interesting, and I'll certainly be grateful for it as the series progresses, but in the meantime it slowed this story down a bit. A lot of scenes boiled down to new-girl Cora asking questions and resident-expert Kade answering them with