Bookish Thoughts

 I've been meaning to read Sarah Gailey every since I heard about their very first novella, River of Teeth. I finally bought Magic for Liars and then Tor.com made Upright Women Wanted one of the free books of the month. I'm so glad I finally read it, because now I'm even more excited for all of Gailey's work. Good thing I've already got one of her books sitting on my shelf. I went into this book assuming it took place in the far past. I have no real justification for that assumption except that this book reads like a western, and westerns are generally a past thing. But this book actually takes place in a dystopian future, where all the trappings of the wild west have come back. The Librarians are slowly revealed as outlaws, hiding in plain sight. And Esther's desire to join up with them gets turned on its head when she finds out the sort of work they really do. I absolutely loved this book, and I wish it had been fleshed out into a full novel if only because ...

This book is brutal, even moreso than the first one. But it has more hope, too. It's the book that made me fall in love with Octavia Butler, the book I think everyone should read, the book I want to get tattooed on my body. Does that make it my favorite book? I suppose it's a strong contender. Although it isn't a comfort read the way so many of my favorites can be classified, so I can't re-read it quite as often. But it's a book that I know I'll continue to come back to and get more out of each time. I really appreciate that this book is told in more than Lauren's voice. Her daughter offers a strong counterpoint to her and really elevates everything. The tension between them hurts so much, especially as more of their history is revealed. I actually wish the book had a little bit more of Asha Vere, especially after she met her mother. I suppose that would have gone in the next book, though. The one Butler didn't have time to write.

This is my second time through Station Eleven.  The first time I read it, I inhaled the entire book in a day. This time I made an effort to stretch it out (by juggling a few other books at the same time) so I could absorb it a little more slowly. This is the sort of book that rewards deeper thought, and it definitely gave me a lot to think about. Station Eleven  is very concerned with home and with interrogating the idea that you can't go home again. It opens with a flu that kills over 99% of the world's population in a few days, leaving the remaining few to find a way to live in a vastly changed world. Small settlements pop up here and there, but the post-apocalypse story focuses on a traveling theater troupe. In a very real sense, these people can't go home again. There's no home to go to, and the main characters have chosen to make their home on the road. Even the pre-apocalypse characters, Arthur and Miranda, have left behind their hometown in favor of making a ...

I first read this book three or four years ago, and it has really stuck with me. My thoughts return to it again and again, especially with the current political climate, not to mention the actual climate. I've recommended it to more people than I can remember and loaned my copies out enough times that I have no idea what happened to them. So when they announced a re-issue with a new introduction by NK Jemisin, it was all the excuse I needed to buy new copies and re-read them. Having now re-read the first book, I'm seeing how much the two blurred together in my mind. And I think it was actually the second one that impacted me the most. This one started out a lot more slowly than I remembered. They weren't on the road for nearly as much of the book as I thought they were, and a lot of things that I thought were in this book weren't. But I think I actually liked it more this time around. I've lived and learned a lot in the past few years, and I have a greater appre...

The final volume of Y: The Last Man delivers a mostly satisfying, somewhat tragic ending that wraps up Yorick's epic quest to find his lost love. Everyone converges on Paris for final confrontations, epic reunions, and a few surprising revelations. And then life goes on, as it must. I'm going to have to re-read this whole series again at some point. It took me far too long to pick up on the slow burn romance between Yorick and 355, maybe because it was such an incredibly well done slow burn. But, like Yorick, I was blinded by the quest for Beth. I couldn't see what was right in front of me.  His resolution with Beth (and even Beth 2 and Beth Jr) was fantastic. It hit all the right beats of joy and awkwardness and betrayal and despair. Things were broken between them, and she was ultimately more of a fantasy than a real girl. I'm glad he was able to let her go in the end. I'm mad, though, about 355's death. It was shocking and jaw-dropping and ultimately fr...

I loved this volume of Y: The Last Man. We're heading into the endgame, so obviously it's time to back up and see how everyone got here. There are a handful of arcs that move the plot forward. But there are also a lot of one-off issues that give us flashbacks of all the main characters. I loved learning more about them and what their lives were like before the "gendercide". As for the main story - the main group is forced to split up. Everything moves forward. Doctor Mann tracks down her mom, walking right into the trap Toyota set for her. Yorick is finally reunited with Ampersand and learns that Beth is headed to Paris. Beth 2 has a baby (!) and she and Hero head back to the Hot Suite in Ohio. There are kids again, which is fantastic. Except that hope gets yanked away with the return f Tse'elon right at the end. But it's all the flashbacks that really sold this one for me. We get a look at 355's early childhood and her recruitment into the Culper Ring...

The third installment of Y: The Last Man  sees our trio on more adventures. They finally reach Dr. Mann's lab, only for Ampersand to be kidnapped, kicking off another journey. Yorick and Hero are finally reunited in a non-murdery way. And we meet some pirates! This was basically a series of exciting adventures. I enjoyed them, though not quite as much as the previous arcs. It was fun to meet another Beth, and to get confirmation that the original Beth is still alive. Ultimately I don't feel like I have a lot to say about this book, though. It was fun and entertaining. The main mysteries are still chugging along, though it doesn't feel like we're any closer to solving them. This is a middle book. No intriguing beginnings or astonishing endings. Just lots of treading water. Though there are those pirates I mentioned. Sigh, I should have written this review earlier. When this volume wasn't all mixed up with the next one in my head. That'll teach me to fall so...

The second Y: The Last Man  book chronicles a series of adventures Yorick, Ampersand, 355, and Dr. Mann have as they continue their journey to California. Some were a lot of fun. Others were weird and off-putting. But it was all entertaining, and I'm still very excited to see what comes next. The first arc deals with three astronauts on the ISS who are returning to Earth. The trio includes two men, and Yorick is excited by the prospect of not being the last man on Earth anymore. This arc helps tie off a few loose threads, particularly the Israelis and their weird conspiracy with Yorick's mom (not the president - I was mistaken). Once all that business is taken care of, we get to follow the main group for a while and the background characters are largely relegated to the back-burner. We see a traveling theater company trying to keep art alive in a small, conservative town. We meet one of 355's oldest friends. And then they encounter a scary militant group in Arizona...

I've been meaning to read Y: The Last Man for a while now. It's written by Brian K Vaughan, the same guy responsible for Saga . But unlike Saga , this story is actually complete. I finally managed to get my hands on the first (of five) deluxe books, which collects the first ten issues. And now I'm going to be spending my birthday money on the remaining books. Because I am hooked. The story mostly follows Yorick. He and his pet monkey, Ampersand, are the only males left in the world after some unknown cataclysmic event caused the immediate death of everyone with a Y chromosome. All Yorick wants to do is find his girlfriend, but everyone else has their own plans for him. Yorick's mom is a congresswoman, doing her best to help hold the government together in DC after most of the government officials have died. The Secretary of Agriculture has been rapidly promoted to president, reminding me of Battlestar Galactica . Though I think this women is less qualified, and som...

This book, really this whole trilogy, was stressful. I'm glad I made it through, but it was definitely rough going. I almost put the book down and walked away from it entirely, though I'm glad I didn't. But that's not the author's fault. It's just that reading a book about fighting a fascist despot hit a bit too close to home in the current political climate. It didn't help that the metaphor was a bit too perfect. Information flows free on this planet in a way that's overwhelming. And the mayor/president is better at controlling it than anyone else. At using it for his own ends. He's ultimately able to directly control other people, which raises the uncomfortable question of just how responsible Todd is for his actions. The thing is that Todd does some really despicable things. The enemy singles him out as the worst of all humans because he knew that what he was doing was wrong but he did it anyway. But he was coerced. And the question remains op...

Man, reading this book was stressful. At least part of that is because of what was happening in the world when I was reading it. It turns out that dystopian fiction (and especially the second novel in a trilogy when everything gets really bad) is not great escapism when real life is starting to feel like a dystopia. But that doesn't mean it was a bad book. There was a lot to like about it. Mostly, I appreciated the fact that the narration was split between Todd and Viola. Todd is a frustrating protagonist. He was raised in a toxic environment and kept ignorant. This makes him easy to manipulate and means that he spends most of the book following the bad guy's orders and trying to justify it to himself. Viola, on the other hand, is everything I want from a YA heroine. Intelligent, eager to learn, and able to see the bigger picture. She has a strong moral compass, and while she's willing to concede that other's might know more than her, she keeps coming back to what s...

The Knife of Never Letting Go  is the first in a young adult science fiction dystopian trilogy. I remember hearing about it back when the last book was released. Not any of the plot details, just the very strong emotions it seemed to elicit in the people who had read it. It fits right in with the other young adult dystopian literature that came out around the same time. The book follows Todd Hewitt, the last boy in a town full of men. The women all died shortly after Todd was born, leaving him as the last baby. He's grown up on an alien world, in a town where everyone's thoughts are broadcast for everyone else to hear. It's a bit of an off-putting premise, but I'm glad I didn't let it scare me away from the books completely. Shortly before his thirteenth birthday, Todd comes across a girl on the outskirts of his town. It quickly becomes clear that he's been lied to for his entire life. But before he can properly wrap his mind around that, the plot kicks off ...

Calamity  was an excellent conclusion to Sanderson's Reckoners trilogy. It's just as exciting and fast-paced as the previous two installments, with tons of new powers and exciting twists. The city it's set in this time, a wandering Atlanta, seems even more implausible than a drowned Manhattan or metallic Chicago. This one is made of salt and crawls across the country, completely rebuilding itself every week. But Sanderson is less concerned about the logistics than the opportunities they present. And he takes full advantage of a half-built city that can never be completely wrecked to create some really thrilling scenes. Sanderson continues to play with the ideas of trust and redemption, while arguing that it's important to face your fears and that most humans are basically good but easily corrupted. Which I can't really say I disagree with. And the trilogy as a whole serves as a nice coming-of-age tale for the main character, who even gets a happier ending than ...

Most of Brandon Sanderson's books are really long, which helps disguise just how quickly I read his work. Even from myself. I was surprised when I read this 400+ page book in less than two days. But between Sanderson's fast-paced plots and straight-forward language, it makes sense that I would basically inhale this book. The second Reckoners book continues the story from the first one. By killing Steelheart, David and the other Reckoners have changed the world order. And now they have to keep going, lest it all fall apart. They've more or less declared war, and if they don't follow through now things will be worse than they were before. Unfortunately, there's another Epic who knows them too well and is one step ahead of them, which lets her lead them all straight into a trap. Sanderson does a great job of expanding the world here, leaking out enough information to keep me happy and hooked and asking more questions. I'm glad that there is some reasoning behin...

Someday I will have read everything that Brandon Sanderson has published. Steelheart  brings me one step closer to that goal. While most of Sanderson's writing takes place in his epic fantasy Cosmere-universe, he also has a scattering of novels that aren't connected to that massive series. The Reckoners trilogy, of which Steelheart  is the first novel, takes place on our world, more or less. It's a post-apocalyptic version of our world, where a bunch of people were granted superhero powers. Rather than becoming benevolent guardians of society, they quickly too over the world, transforming it into a collection of city-nations, each with its own tyrannical ruler. David lives in what used to be Chiago, which is ruled by the eponymous Steelheart. He's able to transform nearly anything into steel, which he did to half the city. He's impervious to bullets or any other attempt to kill him. Plus he can fly and shoot energy and he kills at random to maintain his control....

I have to admit that the conclusion to this trilogy felt a little flat to me. There were definitely some good things, and I still think the series as a whole is good and tackles interesting questions with some good nuance. I even liked the actual ending of the story. But so much of this book felt like a rehash of the second one that I felt a little bored by the end of it. Once again, Tally has had her brain rewired, and once again she sets out into the wilderness where he solitude helps her figure out what she actually wants. The love triangle sort of fizzles out and the stakes are revealed to be not nearly as high as it seemed. What felt like a worldwide conspiracy is mostly confined to one city, and Tally's role shifts. She does help save the world, but it's more about preventing a war than ushering a grand revolution. Which isn't to say that the revolution doesn't happen. But it's not the complete overthrow of society that the rebels wanted. And that's pr...

At this point, I think I'd consider this series better than The Hunger Games . I'm finding Tally to be a much more interesting protagonist than Katniss. Rather than let herself be made a pawn by whoever wants to play, she questions everything. She's not really on anyone's side, and that's because she's aware that everything is much more complicated than either side would like to believe. On the one hand, you have the evil government. And they are evil, there's no mistaking that. They lobotomize everyone on their sixteenth birthdays to keep the population happy and compliant. They maintain a population of primitive humans with a never-ending blood feud so they can study human violence. They've removed choice from everyone except a select few and they'll do everything in their power to maintain this status quo. But they have managed to stabilize the environment and control human population growth. The rebels, of course, are nominally the good guys....

I was surprised by how compelling how found this book, and by how much I liked the main character, Tally. It's possible that this is because I entered into this book with reduced expectations, after a decent break from YA dystopia. This isn't one of the greats of the genre, but it is a solid book (and hopefully series) with a more nuanced view of the world than you often find. Uglies  takes place in a future where everyone undergoes plastic surgery at the age of sixteen to make them "pretty". Really the goal is to make everyone look more or less the same in an effort to stamp out prejudice and create a more equitable society. But Tally doesn't know that. She just knows that she's that last of her friends to undergo the operation, being the youngest, and she can't wait to join them in adulthood. But then she meets Shay, who shares her birthday and isn't at all sure that she wants to undergo the operation. She starts talking about a group of people w...

When my husband and I first got together, he convinced me to watch a movie called The Cube . The Cube is a pointless exercise in hypothetical psychological experimentation. It's a puzzle with no answer, a scenario with no context. The ending left me feeling both betrayed and angry. I could have spent that time sleeping. I still haven't forgiven my husband for making me watch that movie. It's 90 minutes of my life that I'm never getting back. The Maze Runner is like The Cube , but with bad writing and barely sketched in characters. (Part of the betrayal of The Cube was in how much I came to care about the poor, doomed characters. All except the one that managed to survive). It is just as pointless. Just as infuriating. The only reason I don't hate it as much is because I can't bring myself to care that much about a bunch of posturing, teen-aged boys. I could go on a whole rant about the lazy, stilted writing. The main character whose entire memory has been...

Ship Breaker  was my Christmas present from Kevin this year - the random book with a cool cover that he saw at the deep-discount store. As this tradition goes, it was better than most. Though the awards on the cover indicated that it might be. This is dystopian YA from the height of the dystopian YA phenomenon. When it seemed like everyone had something to contribute to that particular genre and it all started to blend together. So I was pleasantly surprised that this stood out from the pack. First because it posits a world that I could actually see coming to pass (unlike the Hunger Games, which are a bit too far removed from reality, though they serve as an apt allegory). And second because it doesn't slot white characters into the oppressed group. After global warming melted the poles and we ran out of oil, the rich kept getting richer and the poor kept getting poorer. Out protagonist, Nailer, works stripping copper wire from old ships and oil tankers that now dot the coast o...